ART HISTORY

ART HISTORY

Topic: it have to be SHORT ANSWERS?7 QUESTIONS ABOUT ART HISTORY- THIS IS SO IMPORTANT AND I NEED SOMEONE WHO IS VERY KNOWLEDGEABLE ABOUT AMERICAN ART HISTORY

Subject: Art
Question 1,

Burden and Abramovic both subject their bodies to physical extremes in their performance work. Describe the two performances pictured, each artist?s intention for the project and how they vary from each other.
Question 2,

During the 1950s and 60s, car culture in the United States drastically rose in prominence. Both of these projects inherently reference the car but in different ways, for different reasons and to varying effects. Explain.
Question 3,

These two structures visually articulate the transition from more traditional, European-inspired architecture to a fully-realized modern skyscraper. In what ways is the Woolworth Building more rearguard and the Daily News Building more forward-thinking?

 

Question 4,

In these two Abstract Expressionist works, the process by which they were created is equally as important as the paintings themselves. Describe each artist?s process, how they differ from one another and why that?s relevant.

 
Question 5,

Hartley and Demuth, both members of the Stieglitz circle, rely on the language of visual code in the two paintings shown. What do these paintings reference, why do they need to be coded in the first place, and what does that tell us about American consciousness during this time?

 
Question 6,

During the 1930s, photographers such as Evans and Lange were hired by the FSA to document the resilience of the American people and economic damage caused by the Great Depression. However, the images they produced cannot accurately be trusted as objective documents. Why not?

 
Question 7,

Winogrand and Arbus are generally credited with personalizing the tradition of documentary photography and giving a voice to a younger generation of Americans. However, each photographer attempts to say different things using different visual and technical strategies. Using this comparison as an inroad, how did each artist work and what was each attempting to accomplish within the photograph?
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